The black journal is a multi-discursive platform that invites any visual or written representation of our contested knowledge in apparent cultural and social realms. The journal offers another medium, one that acknowledges the manifold contexts in which it lies, yet have the capacity to allow all forms of interactions and reactions toward them. The journal mainly invites new narratives and new manifestations of knowledge so that it differentiates itself from other publishing platforms. 

The journal could be labelled as free, in such a way that it accepts any sort of contribution, so long there is an active engagement in the dismantling of truths. However, once declared free, the journal ceases to be. This paradox gives the contributor the margin to attribute their subjectivity, which inherently carries an authority, to their piece, and hence the reader is able to see behind and beyond the page.

The journal can be utilised to question any institutional or academic impositions, so that creativity is not bound by any force. Our monotone in writing should be broken, and our linguistic incompleteness appreciated. We look for subjective input rather than illusionary ends.